Chris Berry, Lu1 Xinyu, Lisa Rofel (eds.), The New Chinese Documentary Film Movement: For the Public Record, Hong Kong, Hong Kong University Press, 2010, 320…
Read moreLin Xiaoping, Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema, Honolulu, University of Hawaii Press, 2010, 312 pp.< Lin Xiaoping, currently associate...
Read moreLouise Edwards, Elaine Jeffreys (eds.), Celebrity in China, Hong Kong, Hong Kong University Press, 2010, 286 pp. The book is a collection of studies of celebrity…
Read moreYingjin Zhang, Cinema, Space, and Polylocality in a Globalizing China, Honolulu, University of Hawaii Press, 2010, 257 pp. In recent years, the concept of space…
Read moreAnny Lazarus and Laurent Septier, Art contemporain. Pékin en 11 parcours (Contemporary art in Beijing through 11 trips), Marseille, Images En Manœuvres Éditions, 2010, 287…
Read moreAlain Roux, Le singe et le tigre: Mao, un destin chinois (Monkey and tiger: Mao, a Chinese destiny), Paris, Larousse 2009, 1127 pp. We now…
Read moreMarie-Claire Bergère, Shanghai: China’s Gateway to Modernity, translated by Janet Lloyd, Stanford, CA, Stanford University Press, 2009, 520 pp. 2008 was unquestionably Beijing’s year, in…
Read moreLu Xun, Cris (Call to Arms), edited by Sebastian Veg, Paris, Rue d’Ulm, “versions françaises,” 2010, 304 pp. Sebastian Veg pursues his translation of the…
Read moreMelvyn C. Goldstein, Ben Jiao and Tanzen Lhundrup, On the Cultural Revolution in Tibet: The Nyemo Incident of 1969, Berkeley, UC Press, 2009, 236 pp….
Read moreLi Xiangping, Xinyang dan bu rentong: Dangdai zhongguo xinyang de shehuixue quanshi (Believing without Identifying: The Sociological Interpretation of Spiritual Beliefs in Contemporary China), Beijing,…
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