CEFC

Visual Encounters in Global Shanghai. On the Desirability of Bodies in a Coworking Space

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The Road Home: Rebellion, the Market and Masculinity in the Han Han Phenomenon

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Knowing Male Subjects: Globally Mobile Chinese Professionals and the Aesthetics of the Confucian Sublime

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What is Obscenity? Morality and Modernity in 1920s China

Introduction The discourse on 淫 (yin, obscene/licentious/lascivious/pornographic) in early twentieth century China has been gradually attracting scholarly attention in recent years. Within this body of…

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Edito – Legible and Thus Legitimate? Reading and Blurring Gender in China, Today and Yesterday

In her keynote address to the conference from which this special issue of China Perspectives has emerged, Prof. Gail Hershatter spoke of gender and “blindspotting”:…

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Foreword

Almost half a century has passed since Anglophone feminist scholars began to write about women in China’s twentieth-century revolutions (Young 1973; Wolf and Witke 1975;…

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Navigating and Circumventing (Self)censorship in the Chinese Music Scene

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Homoeroticising Archaic Wind Music: A Rhizomatic Return to Ancient China

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Relocating the Functions of Chineseness in Chinese Popular Music after the China Wind

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Contesting and Appropriating Chineseness in Sinophone Music

The first special issue of China Perspectives on “Sinophone Musical Worlds” (2019/3) laid the theoretical foundation for a musical approach to Sinophone studies (Amar 2019)….

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